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Her essays display the same intense engagement with the visual arts as informs her narrative texts. Her deep interest in music is echoed in the musicality of short prose poems. This volume presents for the first time a comprehensive collection of approaches to Duden's fiction, poetry and essays by international scholars. Topics include: the ethics and aesthetics of Duden's engagement with.
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DESIRE AND COMPLICITY IN ANNE DUDEN'S DAS JUDASSCHAF A central problem for feminist criticism of women's writing is the issue of reader identification with the usually female protagonist or narrator, a problem that is exacerbated when the narrative is in the first person. Historically, feminism does of course depend upon women identifying with each other as an oppressed group, and its.
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The General Subjunctive Mood in German (Konjunktiv II). Just like English, German uses the simple past forms as a basis for the general subjunctive. In fact, the subjunctive form of weak verbs is indistinguishable from the simple past: Wenn ich diesen Wagen haben wollte, kaufte ich ihn sofort. If I wanted to have this car, I would buy it immediately. The strong verbs also use the simple past.
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